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Lyon : MOM - Bibliothèque de la Maison de l'Orient et de la Méditerranée Libre accès | ACL N7630. L4 2002 (Browse shelf(Opens below)) | Available | 145809 | |
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8°I LAXANDER Fest Individuum und Gemeinschaft im Fest , untersuchungen zu attischen Darstellungen von Festgeschehen im 6. und frühen 5. Jahrhundert v. Chr. | 8°I LEHNSTAEDT Prozessionsdars Prozessionsdarstellungen auf attischen Vasen | 8°I LESKY Waffentänze Untersuchungen zur Ikonographie und Bedeutung antiker Waffentänzer in Griechenland und Etrurien | 8°I LEWIS Woman The Athenian Woman , an iconographic handbook | 8°I LINDNER K Vogelfang Beiträge zu Vogelfang und Falknerei im Altertum | 8°I LINDNER R Raub Der Raub der Persephone in der antiken Kunst | 8°I LIOUTAS Schwarzfigurige Attische schwarzfigurige Lekanai und Lekanides |
Bibliogr. p. 247-257. Index p. 258-261
Sian Lewis considers the full range of female existence in classical Greece - childhood and old age, unfree and foreign status, and the ageless woman characteristic of Athenian red-figure painting. Specific topics investigated include domestic labour, seclusion, and relationships with men.Here Sian Lewis considers the full range of female existence in classical Greece - childhood and old age, unfree and foreign status, and the ageless woman characteristic of Athenian red-figure painting.
Ceramics are an unparalleled resource for women's lives in ancient Greece, since they show a huge number of female types and activities. Yet it can be difficult to interpret the meanings of these images, especially when they seem to conflict with literary sources.
This much-needed study shows that it is vital to see the vases as archaeology as well as art, since context is the key to understanding which images can stand as evidence for the real lives of women, and which should be reassessed.
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