Current library | Call number | Status | Date due | Barcode |
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Lyon : MOM - Bibliothèque de la Maison de l'Orient et de la Méditerranée Libre accès | TXT CN375.V3. E64 2016 (Browse shelf(Opens below)) | Available | 145800 |
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TXT CN375.T5. C3 2017 Lexicon of eponym dies on Rhodian amphora stamps Eponyms Τ to Χ | TXT CN375.T5. F5 2001 Chronologie détaillée et révisée des éponymes amphoriques rhodiens, de 270 à 108 av. J.-C. environ , premier bilan | TXT CN375.V3. C48 2018 The so-called nonsense inscriptions on ancient Greek vases , between Paideia and Paidiá | TXT CN375.V3. E64 2016 Epigraphy of art , ancient Greek vase-inscriptions and vase-paintings | TXT CN375.V6. P3 2016 Penteskouphia , immagini e parole dipinte sui pinakes corinzi dedicati a Poseidon | TXT CN380. I59 2016 The inscriptions of the Antikythera mechanism | TXT CN380. T3 2015 Ταφή, ανάθεση, τιμή , έμμετρες επιγραφές της Αργολίδος από την Αρχαϊκή Εποχή έως την Υστερη Αρχαιότητα |
Notes bibliogr. Index p. 203-205
Ancient Greek vase-paintings offer broad-ranging and unprecedented early perspectives on the often intricate interplay of images and texts. By bringing together—for the first time in English-language scholarship—an international group of leading scholars in classical art and archaeology who have worked on vase-inscriptions, this book investigates epigraphic technicalities of Attic and non-Attic inscriptions on pottery as well as their broader iconographic and sociocultural significance. The ten chapters in this book propose original and expert methodological approaches to the study of vase-inscriptions and vasepaintings, while also foregrounding the outstanding but not fully examined importance of the area of vase-inscriptions for current research on ancient Greek visual representations. Epigraphy of Art: Ancient Greek Vase-Inscriptions and Vase-Paintings constitutes a major contribution to the fields of Greek epigraphy and classical art and archaeology and will prove significant for epigraphists, archaeologists, and art-historians interested in the complexities of the interaction of art and text.
(Source : 4e de couv.)
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