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A chorus for Kybele in a new papyrus from the Red Sea / William Furley
Extrait
Appartient au périodique : Kernos, Liège, 1992-...., Supplément 40, p. 31-38, 1376-179X Appartient au livre : Performance et mimesis , Liège , 2022, sous la direction de Nadine Le Meur, Bénédicte Delignon & Olivier Thévenaz, Presses universitaires de Liège, p. 31-38, 9782875623201, variations sur la lyrique cultuelle de la Grèce archaïque au Haut-Empire romain
Publication: 2022 Description: 8 p. : ill.Langue: Anglais ; de résumé, Anglais ; de résumé, FrançaisPays: Belgique Auteur principal: Furley, William D., Auteur, 1953-.... Résumé: This piece seeks to examine a new papyrus from the Red Sea which the first editors (Rodney Ast and Julia Lougovaya) entitled “Kybele on the Red Sea.” I examine readings of the papyrus and the context in which they seem to fit. The papyrus points to a number of interesting points in the cult of Kybele, in particular the use of lashes (ὄστλιγγες) in ritual flagellation. The second section contains a number of words which are compatible with what we know of metroac cult, for example in Pindar’s Theban Dithyramb. In short, the papyrus opens an interesting window onto Kybele’s cult in the Hellenistic, possibly even Classical, period. The range of metres used is reminiscent of classical tragedy, with lyric mixed with anapaestic metres, but dialectical considerations rule out classical Attic tragedy. Perhaps the fragment stems from a later, Hellenistic tragedy with metroac theme. . Item type: Extrait
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Besançon : ISTA - Institut des Sciences et Techniques de l'Antiquité Libre accès Cr-Per 073 bis-40 (Browse shelf(Opens below)) Available

Notes bibliogr.

This piece seeks to examine a new papyrus from the Red Sea which the first
editors (Rodney Ast and Julia Lougovaya) entitled “Kybele on the Red Sea.” I examine
readings of the papyrus and the context in which they seem to fit. The papyrus points
to a number of interesting points in the cult of Kybele, in particular the use of lashes
(ὄστλιγγες) in ritual flagellation. The second section contains a number of words which
are compatible with what we know of metroac cult, for example in Pindar’s Theban
Dithyramb. In short, the papyrus opens an interesting window onto Kybele’s cult in the
Hellenistic, possibly even Classical, period. The range of metres used is reminiscent of
classical tragedy, with lyric mixed with anapaestic metres, but dialectical considerations
rule out classical Attic tragedy. Perhaps the fragment stems from a later, Hellenistic
tragedy with metroac theme.

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