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Dionysiac evasions : Horace, Odes 2.19 and 3.25 / Jenny Strauss Clay
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Appartient au périodique : Kernos, Liège, 1992-...., Supplément 40, p. 77-85, 1376-179X Appartient au livre : Performance et mimesis , Liège , 2022, sous la direction de Nadine Le Meur, Bénédicte Delignon & Olivier Thévenaz, Presses universitaires de Liège, p. 77-85, 9782875623201, variations sur la lyrique cultuelle de la Grèce archaïque au Haut-Empire romain
Publication: 2022 Description: 9 p.Langue: Anglais ; de résumé, Anglais ; de résumé, FrançaisPays: Belgique Auteur principal: Clay, Jenny Strauss, Auteur, 1942-.... Résumé: Horace’s two odes to Bacchus, C. 2.19 and 3.25, should be considered dithyrambs, but they involve opposite trajectories. The former moves from a moment of Bacchic ecstasy to serene control, while the latter begins with a calm intention to praise Augustus that is suddenly interrupted as the poet is swept away like a Maenad in a dithyrambic frenzy to sublime heights that transcend political encomium.. Item type: Extrait
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Besançon : ISTA - Institut des Sciences et Techniques de l'Antiquité Libre accès Cr-Per 073 bis-40 (Browse shelf(Opens below)) Available

Notes bibliogr.

Horace’s two odes to Bacchus, C. 2.19 and 3.25, should be considered
dithyrambs, but they involve opposite trajectories. The former moves from a moment
of Bacchic ecstasy to serene control, while the latter begins with a calm intention to
praise Augustus that is suddenly interrupted as the poet is swept away like a Maenad in a
dithyrambic frenzy to sublime heights that transcend political encomium.

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